Alien Anthology – Facehugger Edition

Alien Anthology - Facehugger Edition

Regisseur
Alien
Ridley Scott
Aliens
James Cameron
Alien 3
David Fincher
Alien Resurrection
Jean-Pierre Jeunet
Jaar
Alien
1979
Aliens
1986
Alien 3
1992
Alien Resurrection
1997
Distributeur
20th Century Fox
Speelduur
Alien
117 minuten (1979 Theatrical Cut)
116 minuten (2003 Director’s Cut)
Aliens
137 minuten (1986 Theatrical Version)
154 minuten (1990 Special Edition)
Alien 3
115 minuten (1992 Theatrical Version)
145 minuten (2003 Special Edition)
Alien Resurrection
109 minuten (1997 Theatrical Version)
116 minuten (2003 Special Edition)
Geluid
Alien
Duits DTS 5.1
Engels Dolby Digital 2.0 Surround
Engels Dolby Digital 4.1 (1979 Theatrical Cut Only)
Engels DTS-HD Master Audio 5.1
Frans DTS 5.1
Portugees Dolby Digital 5.1
Spaans Dolby Digital 5.1
Aliens
Duits DTS 5.1
Engels Dolby Digital 2.0 Surround
Engels Dolby Digital 4.1 (1986 Theatrical Cut Only)
Engels DTS-HD Master Audio 5.1
Frans DTS 5.1
Portugees Dolby Digital 5.1
Spaans Dolby Digital 5.1
Alien 3
Duits DTS 5.1
Engels DTS-HD Master Auido 5.1
Frans DTS 5.1
Portugees Dolby Digital 5.1
Spaans Dolby Digital 5.1
Alien Resurrection
Duits DTS 5.1
Engels DTS-HD Master Audio 5.1
Frans DTS 5.1
Portugees Dolby Digital 5.1
Spaans Dolby Digital 5.1
Beeld
Alien
2.35:1 1080p MPEG-4 AVC
Aliens
1.85:1 1080p MPEG-4 AVC
Alien 3
2.35:1 1080p MPEG-4 AVC
Alien Resurrection
2.35:1 1080p MPEG-4 AVC
Ondertitels
Deens, Duits, Engels voor doven en slechthorenden, Fins, Frans, Nederlands, Noors, Portugees, Spaans, Zweeds
Regio
A/B/C-NL

EXTRA’S

Disc 1 | Alien

Hoofdmenu
Pop-Up Menu
Directe Scènetoegang
1979 Theatrical Cut
– 1999 Audio Commentary by Ridley Scott
– Final Theatrical Isolated Score with Complete Music Index
– Composer’s Original Isolated Score with Complete Music Index
– Deleted Scenes Index
– – 1. Transmission
– – 2. Kane’s Weapon
– – 3. A Slap in the Face
– – 4. Red Rain
– – 5. Access Granted
– – 6. Cocooned
– – 7. Not a Cat Lover
2003 Director’s Cut
– 2003 Audio Commentary
– Introduction by Ridley Scott
– Deleted Scene Footage Marker
MU-TH-UR Mode
– Tutorial
– Data Tag List

Disc 2 | Aliens

Hoofdmenu
Pop-Up Menu
Directe Scènetoegang
1986 Theatrical Version
– 2003 Audio Commentary
– Final Theatrical Isolated Score with Complete Music Index
– Composer’s Original Isolated Score with Complete Music Index
– Deleted Scenes Index
– – 1. Ripley’s Daughter
– – 2. Van Leuwen’s Verdict
– – 3. The Colony / The Jordens’ Discovery
– – 4. Burke’s Answer
– – 5. Int. Sulaco
– – 6. Hudson’s Hubris
– – 7. False Alarm
– – 8. Ripley Pauses
– – 9. The Sentry Guns
– – 10. Fire in the Hole
– – 11. Last Line of Defense
– – 12. Newt’s Questions
– – 13. Hudson’s “Ant” Theory
– – 14. The Aliens Attack
– – 15. The Aliens Retreat
– – 16. First Name Basis
1990 Special Edition
– 2003 Audio Commentary
– Introduction by James Cameron
– Deleted Scene Footage Marker
MU-TH-UR Mode
– Tutorial
– Data Tag List

Disc 3 | Alien 3

Hoofdmenu
Pop-Up Menu
Directe Scènetoegang
1992 Theatrical Version
– 2003 Audio Commentary
– Theatrical Isolated Score with Complete Music Index
– Deleted Scenes Index
– – 1. Exterior: Fury 161 / First Town Hall Meeting
– – 2. Entering the Morgue
– – 3. The Arbittoir
– – 4. The Ox-Buster
– – 5. Cafetaria Talk
– – 6. Prison Faith
– – 7. Ripley and Clemens Inside Assembly Hall
– – 8. Post-Coital
– – 9. Boggs, Rains and Golic
– – 10. Clemens Meets Andrews
– – 11. Boggs, Rains and Golic II
– – 12. Golic in Cafetaria
– – 13. Golic in Cafetaria II
– – 14. Golic Rants
– – 15. Clemens’ Death
– – 16. Dillon Preaches
– – 17. Battery Duty
– – 18. Fire and Aftermath / Ripley and Aaron Talk
– – 19. Golic Escapes
– – 20. Message from the Company
– – 21. Golic Frees the Alien
– – 22. Ripley Talks to Golic
– – 23. What Do We Know Now?
– – 24. To the Furnace
– – 25. Ripley Goes Hunting
– – 26. Ripley Convincing Dillon to Kill Her
– – 27. Furnace Meeting
– – 28. Preparing for the Chase
– – 29. We’re Improvising
– – 30. A Simple Procedure
– – 31. Alternate Finale: Sacrifice
2003 Special Edition
– 2003 Audio Commentary
– Deleted Scene Footage Marker
MU-TH-UR Mode
– Tutorial
– Data Tag List

Disc 4 | Alien Resurrection

Hoofdmenu
Pop-Up Menu
Directe Scènetoegang
1997 Theatrical Version
– 2003 Audio Commentary
– Theatrical Isolated Score with Complete Music Index
– Deleted Scenes Index
– – 1. New Opening Title Sequence
– – 2. Rude Awakening
– – 3. Ripley Remembers
– – 4. Cafetaria Scene
– – 5. Vriess’ Joke
– – 6. The General’s Quarters
– – 7. What’s Inside Purvis (Parts 1 & 2)
– – 8. Disposable Weapons
– – 9. Interior Chapel (Part 1)
– – 10. Interior Chapel (Part 2)
– – 11. A New Ending
2003 Special Edition
– Introduction by Jean-Pierre Jeunet
– 2003 Audio Commentary
– Deleted Scene Footage Marker
MU-TH-UR Mode
– Tutorial
– Data Tag List

Disc 5 | Making the Alien Anthology

Hoofdmenu
Datasearch
All Featurettes
MU-TH-UR Mode
Alien
– The Beast Within: Making Alien with Optional MU-TH-UR Mode
– – Star Beast: Developing the Story
– – The Visualists: Directing and Design
– – Truckers in Space: Casting
– – Fear of the Unknown: Shepperton Studios, 1978
– – The Darkest Reaches: Nostromo and the Alien Planet
– – The Eight Passenger: Creature Design
– – Future Tense: Editing and Music
– – Outward Bound: Visual Effects
– – A Nightmare Fulfilled: Reaction to the Film
– Enhancement Pods
– – Conceiving the Alien Lifecycle
– – The Influence of Jodorowsky’s ‘Dune’
– – O’Bannon Working with Shusett
– – Ridley Scott’s Epiphany
– – Jon Finch Sets the Record Straight
– – Finding the Right Ripley
– – Actors as Props
– – Sigourney Weaver Learns the Ropes
– – The Functional Art of Ron Cobb
– – Dalies: Parker and Brett Ad-Lib
– – That Used Future Look
– – Bolaji Badejo Alien Movement Tests
– – Discovering Bolaji Badejo
– – Giger on Giger
– – The Disturbing Brilliance of H.R. Giger
– – James Cameron Dissects ‘Alien’
– – Cocoon of Love
– – Jerry Goldsmith Recalls ‘Alien’
– – Goldsmith on Silence
– – The Pros and Cons of Temp Tracks
– – Same-Sex Relationships in Space
– – Toy Birds of Destruction
– – Oscar Night Memories
– – Test Footage: Nostromo on Forklift
– – End of a Genre
– – First Impressions
– – O’Bannon’s Fight for Credit
Aliens
– Superior Firepowers: Making Aliens with Optional MU-TH-UR Mode
– – 57 Years Later: Continuing the Story
– – Building Better Worlds: From Concept to Construction
– – Preparing for Battle: Casting and Characterization
– – This Time It’s War: Pinewood Studios, 1985
– – The Risk Always Lives: Weapons and Action
– – Bug Hunt: Creature Design
– – Two Orphans: Sigourney Weaver and Carrie Henn
– – Beauty and the Bitch: Power Loader Vs. Queen Alien
– – The Final Countdown: Music, Editing and Sound
– – The Power of Real Tech: Visual Effects
– – Aliens Unleashed: Reaction to the Film
– Enhancement Pods
– – Without Sigourney Weaver
– – Origins of Acheron
– – Building Hadley’s Hope
– – Cameron’s Design Philosphy
– – Finding an Unused Power Plant
– – Cameron’s Military Interests
– – Working with Sigourney Weaver
– – The Imporance of Being Bishop
– – Paul Reiser on Carter Burke
– – The Paxton / Cameron Connection
– – Becoming Vasquez
– – On Set: Infiltrating the Colony
– – Props: Personal Light Unit
– – Simon Atherton Talks Weapons
– – Praising Stan Winston
– – Test Footage: Chest Buster
– – Fighting the Facehugger
– – Test Footage: Facehugger
– – Stan Winston’s Challenge
– – Test Footage: Queen Alien
– – Stan Winston’s Legacy
– – Cameron’s Cutting Edge
– – Sigourney Weaver’s Triumph
– – Re-Enlisting with Cameron
– – From Producer to Stunt Double
Alien 3
– Wreckage and Rage: Making Alien 3 with Optional MU-TH-UR Mode
– – Development Hell: Concluding the Story
– – Tales of the Wooden Planet: Vincent Ward’s Vision
– – Stasis Interrupted: David Fincher’s Vision
– – Xeno-Erotic: H.R. Giger’s Redesign
– – The Color of Blood: Pinewood Studios, 1991
– – Adaptive Organism: Creature Design
– – The Downward Spiral: Creative Differences
– – Optical Fury: Visual Effects
– – Where the Sun Burns Cold: Fox Studios L.A., 1992
– – Requiem for a Scream: Music, Editing and Sound
– – Post-Mortem: Reaction to the Film
– Enhancement Pods
– – Renny Harlin Quits
– – Explaining the Wooden Planet
– – Ezra Swerdlow’s Concerns
– – Intimidating Baldies
– – Roaming the Fury 161 Set
– – The Art of Storyboarding
– – Hick’s Alternate Future
– – Costuming for Character
– – On Set: Filming the Alien POV
– – Head Casting with Charles Dutton
– – On Set: Filming the Oxbuster
– – Sausage-Motivated Alien Whippet
– – Fincher’s Alienation
– – Lance Hendriks Returns in Style
– – Sucking Up to Fincher
– – Detailing the EEV Miniature
– – Matte Painting Memories
– – How to Make Alien Acid Saliva
– – The Sulaco’s Cameo
– – The Weaver Wagger
– – Bald Cap Blues
– – Bragging Rights
– – Stealing Sigourney’s Top
– – Creating Alien Sounds from Scratch
– – Dangerous Location Recording
– – Painful Low End Frequencies
– – The Power of Silence
– – Ripley’s Evolution
– – Mixed Reactions
Alien Resurrection
– One Step Beyond: Making Alien Resurrection with Optional MU-TH-UR Mode
– – From the Ashes: Reviving the Story
– – French Twist: Direction and Design
– – Under the Skin: Casting and Characterization
– – Death from Below: Fox Studios Los Angeles, 1996
– – In the Zone: The Basketball Scene
– – Unnatural Mutation: Creature Design
– – Genetic Composition: Music
– – Virtual Aliens: Computer Generated Imagery
– – A Matter of Scale: Miniature Photography
– – Critical Juncture: Reaction to the Film
– Enhancement Pods
– – Costuming the Betty Crew
– – Intentionally Uncomfortable Costumes
– – Creating Ripley’s New Look
– – Downsizing the Design
– – Dueling Design Sensibilities
– – Breaking the Language Barrier
– – The Storyboard Bible
– – Preparing for Action
– – Winona Ryder Answers the Call
– – Surviving the Shoot
– – Swimming with Aliens
– – The Art of Slime
– – The Cloning Process
– – Considering Giger’s Legacy
– – Newborn Dick Removal
– – The Evolution of the Alien
– – Designing the Newborn
– – Becoming a Film Composer
– – The Burdon of Temp Music
– – Animating Underwater Aliens
– – VFX: Knifing Ridley’s Hand
– – VFX: Shooting Miniatures
– – Abandoning the Bug Opening
– – Ending After Ending After Ending
– – Remembering the Premiere
– – Future Franchise Directions

Disc 6 | The Alien Anthology Archive

Hoofdmenu
MU-TH-UR Mode
Alien
– Pre-Production
– – First Draft Screenplay by Dan O’Bannon
– – Ridleygrams: Original Thumbnails and Notes
– – Storyboard Archive
– – – Awakening
– – – Landing
– – – Expedition
– – – Breach
– – – Narcissus
– – – Special Photographic Effects
– – The Art of Alien: Conceptual Art Portfolio
– – – Ron Cobb
– – – Chris Foss
– – – H.R. Giger
– – – Jean “Moebius” Giraud
– – Sigourney Weaver Screen Tests with Optional Commentary by Ridley Scott on Selected Tests
– – – 1. Badgering Parker
– – – 2. Corridors & Cocoons
– – – 3. Signing Off
– – – 4. Planning
– – – 5. Ripley & Dallas
– – Cast Portrait Gallery
– Production
– – The Chestbuster: Multi-Angle Sequence with Production Audio or Commentary by Ridley Scott
– – Video Graphics Gallery
– – Production Image Galleries
– – – The Nostromo
– – – Egg Chamber
– – – Kane’s Fate
– – – Brett’s Death & MU-TH-UR
– – – Ash
– – – Parker & Lambert’s Deaths
– – – Cocooned
– – – The Narcissus
– – – Filming in Progress
– – Continuity Polaroids
– – The Sets of Alien
– – H.R. Giger’s Workshop
– Post-Production and Aftermath
– – Additional Deleted Scenes
– – – Kane in the Morning
– – – The Derelict
– – – Kane’s Condition
– – – Repairs Interrupted
– – – Regrouping
– – – Ripley Soothes Lambert
– – – Airlock Sequence
– – Image Galleries
– – – Inside the Model Shop
– – – Visual Effects
– – – Special Shoot: Promotional Photo Archive
– – – Poster Explorations
– – – Premiere
– – – After Party
– – Experience in Terror (1979)
– – Laserdisc Archives
– – The Alien Legacy (1999)
– – American Cinematique: Ridley Scott Q&A (2001)
– – Trailers and TV Spots
– – – Theatrical Teaser
– – – Theatrical Trailer
– – – TV Spot: Egg
– – – TV Spot: Now Playing
Aliens
– Pre-Production
– – Original Treatment by James Cameron
– – Pre-Visualizations: Multi-Angle Videomatics with Optional Audio Commentary by Miniature Effects Supervisor Pat McClung
– – Storyboard Archive
– – The Art of Aliens
– – – Gateway Station and Colony
– – – Vehicles and Weapons
– – – Aliens
– – Cast Portrait Gallery
– Production
– – Production Image Galleries
– – – Preparation for Filming
– – – The Narcissus
– – – Gateway Station
– – – Colony Life
– – – The Sulaco
– – – Arrival on Acheon
– – – Main Colony Complex
– – – Ripley Rescues Newt
– – – Final Battle and Epilogue
– – Continuity Polaroids
– – Weapons and Vehicles
– – Stan Winston’s Workshop
– – Colonel Marine Helmet Cameras
– – Video Graphics Gallery
– – Weyland-Yutani Inquest: Nostromo Dossiers
– Post-Production
– – Deleted Scene: Burke Cocooned
– – Deleted Scene Montage
– – Image Galleries
– – – Visual Effects
– – – Music Recordings
– – – Premiere
– – – Special Shoot
– – Laserdisc Archives
– – Main Title Exploration
– – Aliens: Ride at the Speed of Fright (1996)
– – Trailers and TV Spots
– – – Teaser Trailer
– – – Theatrical Trailer
– – – Domestic Trailer
– – – International Trailer
– – – TV Spot: Now Playing
Alien 3
– Pre-Production
– – Storyboard Archive
– – – The Crash
– – – Burning the Dead
– – – An Inmate Gets Diced
– – – Bishop’s Revelation
– – – Clemens & Andrews Killed
– – – The Plan Fails
– – – Human Bait
– – – The Leadworks
– – – Finale (Theatrical Version)
– – – Alternate Ending
– – The Art of Arceon
– – – EEV
– – – Arceon: The Wooden Planet
– – – Alien Mutations
– – The Art of Fiorina
– – – Exterior: Fiorina “Fury” 161
– – – Interior: Mineral Ore Refinery
– Production
– – Furnace Construction: Time-Lapse Sequence
– – EEV Bioscan: Multi-Angle Vignette with Commentary by Alec Gillis
– – Production Image Galleries
– – – Preparing to Film
– – – Crash Landing
– – – Honoring the Dead
– – – The Alien Strikes
– – – The Death of Clemens and Andrews
– – – Capture and Escape
– – – Leadworks Trap
– – – Final Confrontation
– – A.D.I.’s Workshop
– Post-Production
– – Visual Effects Gallery
– – Special Shoot: Promotional Photo Archive
– – Alien 3 Advance Featurette
– – Making of Alien 3
– – Trailers and TV Spots
– – – Trailer A
– – – Trailer B
– – – Trailer C
– – – Trailer D
– – – Trailer E
– – – TV Spot: Face to Face
– – – TV Spot: 3 Times
– – – TV Spot: Theaters Everywhere
– – – TV Spot: Review
– – – TV Spot: Three
– – – TV Spot: A True Knockout
– – – TV Spot: Galaxy Review
Alien Resurrection
– Pre-Production
– – First Draft Screenplay by Joss Whedon
– – Test Footage: A.D.I. Creature Shop
– – Test Footage: Costumes, Hair and Make-Up
– – Pre-Visualizations: Multi-Angle Rehearsals with Rehearsal Audio or Final Film Audio
– – Storyboard Archive
– – – Experiment on the Auriga
– – – The Betty Arrives
– – – Aliens Escape
– – – Survivors Regroup
– – – Underwater Ambush
– – – Ladder Fight
– – – Queen’s Hive
– – – The Newborn
– – The Marc Caro Portfolio: Character Designs
– – The Art of Resurrection
– – – Title Designs
– – – Ship Designs
– – – Prop Designs
– – – Clone Designs
– – – Costume Designs
– – – Alien Designs
– – – Earth Designs
– Production
– – Production Image Galleries
– – – Production Props: Weapons
– – – Extracting the Queen
– – – The Betty Arrives
– – – Aliens Escape
– – – The Clone Horrors
– – – Underwater Attack
– – – The Queen’s Nest
– – – Falling to Earth
– – – On Earth
– – A.D.I.’s Workshop
– Post-Production
– – Visual Effects Gallery
– – Special Shoot: Promotional Photo Archive
– – HBO First Look: The Making of ‘Alien Resurrection’
– – Alien Resurrection Promotional Featurette
– – Trailers and TV Spots
– – – Theatrical Teaser
– – – Theatrical Trailer
– – – TV Spot: Now Playing
– – – TV Spot: Scream
– – – TV Spot: Host
– – – TV Spot: Scream Cutdown
Anthology
– Alien Evolution (2001 Original TV Version)
– Alien Evolution (2003 Alien Re-Edit)
– The Alien Saga
– Aliens 3D Attraction
– – Script
– – Conceptial Art
– Aliens in the Basement: The Bob Burns Collection
– Parodies
– – Peter Daughter’s (Clip from Family Guy – Season 6 Episode 7)
– – Spaceballs
– Dark Horse Still Gallery
– Patches and Logos Gallery
– Credits

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